I’ve been pondering issues of plot. I often describe my novels as character driven rather than plot driven. Don’t get me wrong – I’m not trying to say my books have no plot.
I recently read a post on Writers Helping Writers that has me thinking – why the emphasis on character over plot? Guest poster Dario Ciriello quotes C.J. Cherryh, a multiple award-winning science fiction and fantasy author, defining plot. “… a webwork of tension-lines between characters and sets of characters. You pull one [line] and one yanks several characters. It’s not events [that drive plot]. It’s tensions.”
Okay – music to the ears of the writer of self-defined character driven novels! The tension between characters drives plot. A character driven novel with enough tension is by it’s very nature developing plot as it goes.
The Writer’s dictionary defines plot as the way an author structures a series of events into a story. Typically, an author works at organizing events in a way that will pique the reader’s interest. Usually events are not resolved until near the end of the story. “A good plot is one that has well-developed characters who are engaging in several conflicts.”
Literary devices website describes the five main elements of a plot. Before I list their points and add my thoughts, remember that plots are often broken into sub-plots and maybe even sub-sub plots. The whole idea of the web works well for me.
1. The exposition or introduction – characters and settings are established. The conflict or main problem is put on the table. I usually think of getting all the players on the board.
2. Rising action – series of events build tension and increase conflict. Once all my characters are on the playing board, it is inevitable that they interact and create tensions.
3. Climax – main point of the plot. This is where all the tension has been leading. I often envision the climax as a set of waves. I might have three or so climaxes before the main one, each wave crashing on the shore of the story a bit harder than the last.
4. Falling action – the winding up of the story. With a character driven novel that creates tension between sets of characters, this is a challenging stage. All the loose ends need to tie up. Well, except for those I choose to leave open-ended.
5. Resolution – good or bad, up or down, happy or sad. Endings should be satisfying. That doesn’t necessarily mean the reader agrees with how everything went down. It’s more about knowing I did a good job of making the events believable. Given what I described and the characters I let the reader know – the story makes sense.
I’m going to keep considering the idea of plot. But for now, I’m going to keep doing what works for me – multiple characters, multiple points-of-view and character interactions driving untold tensions. Let me know what you think on the issue of plot.