Thoughts from the Writing Trenches – VIII

Robin singing on a tree branch, March 20-2017 - bruce witzel photo

First draft progress – 149,000 words. I’m singing like that robin on a pear tree branch! There is something satisfying about a rising word count – even knowing many will be cut or reworked. In grad school, I had a supervisor who always told me – better to have too much material than not enough. Yo, that!

I’ve abandoned any attempts to follow a linear structure. Key climax scenes are all earmarked to be done last. Today, I took one story thread that involves three characters and followed it scene by scene to the end of the book. I suspect there will be more of that strategy as I push to the finish line.

A past instalment of this series generated an interesting question from Jane Tims over on Niche Poetry and Prose  – do I edit as I go?

Simple answer is yes. More complicated answer – it certainly doesn’t eliminate the need for a thorough edit later. Editing occurs for me at all stages. In this first draft stage, I’ve been using the evenings to read through what I’ve written that day and clean up the obvious mistakes – typos and weird wording. Whenever I need a break from moving the word count up, I’ve been putting the work, section by section, through a new tool I’m trying out – ProWritingAid. I often send my current copy of the manuscript to my Kindle by email so I can read key sections over before going to sleep.

As you can imagine, all these steps keep the work uppermost in my mind. Jane and I are curious – how do others handle editing in the first draft process? Let us know.

I’m leaving you today with this lovely spring photo. It tells me time is moving on. I’ve got to finish this first draft before it cuts into my wandering in the garden time.

Crocuses (backlit5) March 20, 0217 - bruce witzel photo

Thoughts from the Writing Trenches – Part IV

Native Grass at Zion Canyon - bruce witzel photo

93,000 words and I’ve got all the characters on the playing board. That might be a tad misleading. 93,000 is my total word count but many of those words are beyond where I finally introduced my last three characters. As explained in previous posts, I write forward and backward, all within one main document. If I’m deep into the storyline of one character, I might skip to any point in the book where a scene requires me to jump into that character’s head again. The longer I stay with a character the more he or she reveals to me.

I thought it would be fun to share my writing schedule. Morning are the most productive for new writing. Right before bed the night before, I will have reviewed the section that I plan to work on the next day. My subconscious dream self is in on the process and I often do wake up with ideas. I get up and go for it. I’m usually bleary-eyed and done in by 2:00 or 3:00 p.m. I need to get outside to walk, ride my stationary bike and think. I’ll try not to come back to the work until after supper when I sit in my easy chair in the living room and go over what I’ve written.

A writing session involves having several documents open on my desktop. The first draft document – obviously – and backed up every single night without fail. I open my character grid for the current book and another that covers all the books. You wouldn’t believe how often I forget someone’s last name. The other day, looking through the overall character grid, I discovered that Fiona’s mother’s name is Kate. She gets mentioned occasionally. I had decided to name a new character at Micah Camp, Kate. That would be an unfair confusion. So, the Micah Camp Kate became Paula with a quick change using the replace all function. I always have a lunar calendar for the year my story takes place open and waiting. Again, you wouldn’t believe how easy it is to put two full moons in one month. The reader should never have to worry about the passage of time or the phases of the moon. That’s my job. I’ll also keep the character sketch for a new character open if I’m writing a scene where this person makes an appearance.

I often have CBC podcasts playing in the background as I work. I’m not really listening but I like the sound of familiar voices and on some level, knowledge is integrated. But there are times when I must switch over to iTunes and blast some music. My favourite pick right now is Justin Timberlake’s song from the Trolls movie – Can’t Stop the Feeling. If you want to shake up the writing routine and give your back a break, play this song, get out of your chair and dance around your writing room for a few minutes. Great blood flow to the brain.

Trolls movie - Google image

What is your writing routine like? When do you do your best work? Does it have to be quiet or do you like some noise in the background? Come down into the trenches with me and let’ talk.

The Hermeneutic Circle and My Writing Process

Snow day - Guenette photo

(View from my writing desk this morning – stunning!)

Definition: The hermeneutic circle (German: hermeneutischer Zirkel) describes the process of understanding a text hermeneutically. It refers to the idea that one’s understanding of the text as a whole is established by reference to the individual parts and one’s understanding of each individual part by reference to the whole.

As I write furiously on the first draft of the 4th book in the Crater Lake Series – 43,000 words so far and going strong – I am struck by how appropriate the above definition of the hermeneutic circle is to my writing process.

I can list many of the parts: character and setting sketches, research notes, outlining, storyboarding, scene blocking, quiet time for visioning and listening to character voices, to name just a few.

A description of the whole is a more slippery. At some point in the process, the parts begin to coalesce. Waiting for that moment, a moment I have never been able to plan for or anticipate, is agonizing. Embarking on this journey for the fifth time doesn’t mean it’s any less agonizing. But I have learned this – when the moment comes there is no stopping the story from moving forward.

It’s the moving forward that fits the definition of the hermeneutic circle. All the parts are in my head and I work and work for hours on end; the words pile up; the page count rises and it all seems unstoppable. But it isn’t. I reach a saturation point. I jump from my chair, leave the computer and run out the door for a walk or a ride on the stationary bike.

When I return, I pick up at a different spot on the circle. It is time for the whole to feed back into the parts. I might write snippet setting descriptions, review character sketches, update my chapter-by-chapter outline, revisit my storyboard. Then I reread everything I have of the first draft. Only then am I ready to move forward with the parts all tuned up to inform the whole.

So it goes. I must say, I do love what I’m doing. Let me know if any of this resonates. Maybe you have a completely different take on nailing that all important first draft. Feel free to share. I’m always open to tweaking my process.

Snowy Feb Hellebore