What Sort of Writer are You?

Little hummer takes a break

Recurring theme – someone asked me a question the other day: What are you working on now? I just stared. With a definite uncomfortable squirm in my chair, I responded, “Nothing.”

In another era, I wanted to be one of those women who had specific days when they did household tasks. You know the type – geez, you might be the type! Bathrooms on Monday, floors on Tuesday, dusting on Wednesday. I was more the madly try to clean up everything on the same day because company was coming woman. I could be seen running around in a state, dusting with one hand and pushing a wet rag with my foot over the dirty floor. Hoping for the best – cleaning with a lick and prayer, so to speak.

When I’m confronted with the question of what I’m currently working on and the answer is – nothing – I get a similar feeling. I want to be one of those writers who writes consistently. Like Stephen Leacock out in his boathouse every single day from eight until noon without fail. But I’m not. I’m the write until I drop and then fall into the doldrums believing that I will never write again type.

At the beginning of my master’s program, I read a book about writing your thesis or dissertation in fifteen minutes a day. It sounded wise but it was something I knew in my heart I could never accomplish.

My grandma used to say – You can’t make a silk purse out of a sow’s ear. There is truth to the belief that one thing can’t be another no matter the effort put into transformation. I can no more write on a consistent and specific daily schedule than I could clean that way or create a dissertation in fifteen-minute blocks. It simply isn’t me.

When I’m not feeling uncomfortable with this state of affairs, I celebrate it. This is the fallow time. This is the gathering time. This is the time when impressions, ideas and connections incubate and grow until they burst forth in writing fury.

But there is still a part of me that feels like the sow’s ear and not the silk purse. What do you think? How do you manage your writing? Is it a daily, disciplined endeavour or is it an all out writing fury? And let me know how your garden is growing? Ours is doing not too bad Smile 

How is your garden growing

Where do you get your ideas?

Glass half full - Guenette photo

Recently, I was asked this question – How do you come up with the ideas for your books? The person asking was sincere in a desire to understand the inner workings of a novelist’s process. My first thought was that ideas are a dime a dozen. They’re everywhere, free for the taking. As Amy Tan wrote, “It’s a luxury being a writer, because all you ever think about is life.”

Neil Gaimon talks of how every profession has its pitfalls. Doctors are asked for medical advice, lawyers are asked for legal information, morticians are told how interesting their profession must be before the subject is quickly changed. Writers must bear the burden of being asked where we get our ideas from.

I scrambled to pull my thoughts together and make an adequate reply. I considered answering as Hemingway would. “All you have to do is write one true sentence. Write the truest sentence that you know.” From there all will flow. I rejected that idea. By quoting Hemingway I ran the risk of sounding like a literary snob and such an answer would have been unsatisfying to a sincere questioner.

Instead, I talked of how I spend a lot of time getting to know my characters. They are the ones who have all the ideas. I’m with Stephen King when he says that the best stories always end up being about the people, not the events. The only problem with this answer is that it begged the next question. Where do the characters come from?

Where indeed? Even after five forays into creating characters and stories that fill whole books, the process is as much a mystery to me as it might be to someone who has never done it. Fair to say, as Chuck Palahniuk notes, “My writing process isn’t a very organized thing.”

The more I think about how the books came to be, the more the indefinable nature of the work strikes me. It’s almost as if I have fallen victim to a strange reflective amnesia. Where on earth did those first characters in Disappearing in Plain Sight come from? I just don’t know. E.L Doctorow tells us, “Writing a novel is like driving a car at night. You can only see as far as your headlights but you can make the whole trip that way.” He might have been wise to add that when looking in the rear-view mirror, one can see nothing at all.

The writing process is a hard thing to discuss. Virginia Wolfe had it right when she reflected that, “Every secret of a writer’s soul, every experience of … life, every quality of … mind is written large in his [or her] words.”

All I know for sure is that all my life I’ve wondered about people. I’ve always been curious and I’ve always been prone to wild bouts of speculation. Questions of ‘what if’ have often driven my thoughts.

Maybe George Orwell has the answer. “Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one weren’t driven on by some demon whom one can neither resist nor understand.” Orwell could have also noted that having to talk about such a process is worse than going through it!

A new bird in town - Guenette photo

Enjoying the Forest

Spruce Bay old growth forest, April 10, 2010 - bruce witzel photo

When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest. (Stephen King)

Forest trail - Guenette photo

Stephen King’s words caught my eye this morning. I’m gearing up for life after the completion of my latest novel and I feel plagued by all the emotions that go along with the ending of any major project. I brought a ragtag and often chaotic assortment of threads, ideas and character voices into being through writing, rewriting, editing, proofing and formatting. I produced a book that I feel confident to launch into the world. Finishing such an endeavour is cause for celebration and, at the same time, leaves me feeling at loose ends. It is indeed time to step back from scanning and identifying the trees to look at the forest.

View from the repeater tower (2)- Bruce Witzel photo

Time to enjoy the fruits of my labour, celebrate the accomplishments and move on! Sounds like a plan.

Crater Lake Series promo photo

How do you cope with the ending of a major project? Jubilation, conflicted emotions, uplifted, let down?

Shout-Out for Writers Helping Writers

Shout out Time - google image

I want to take a moment today to shout-out a writer’s blog that I never miss – Writers Helping Writers: Home of the Bookshelf Muse.

Emotional Thesaurus cover

The creators of this blog are also responsible for putting together the incredible writing resource book – The Emotional Thesaurus. But they didn’t stop there! They have added The Rural Setting Thesaurus and The Urban Setting Thesaurus, The Positive Trait Thesaurus and the Negative Trait Thesaurus. They are currently at work on a character trait thesaurus that I’m certain will be every bit as good!

 

 

There are so many great things to say about this resource blog. Practically every post is interesting and informative and the site is well set-up for finding archived material.

Writers Helping Writers logo

I’ve been going to this site for at least a couple of years and only this week caught on to the fact that I can feature their neat little logo on my sidebar and shout them out to other writers.

Here’s a bit about the bloggers on the site:

Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online library created to help writers elevate their storytelling.

Angela Ackerman is an international speaker and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also enjoys dreaming up new tools and resources for One Stop For Writers, a library built to help writers elevate their storytelling.

Becca and Angela really walk the talk when it comes to sharing. They are very generous with the material they put on their blog and often their responses to comments are as informative as their posts.

Writers – follow this blog! It will be time well spent on the internet.

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No Compass to Right–Cover Reveal

NO COMPASS TO RIGHT- 6x9 corrected version - front cover

Drum roll, please. I am thrilled to officially reveal the cover for the latest offering in the Crater Lake Series – Book four: No Compass to Right. Tentative release date: June 1, 2017!

NO COMPASS TO RIGHT - 6x9 corrected version - back cover (jpeg)

Photographs and design by Bruce Witzel.

3-D back and front NCR

I can’t wait to hold this one in my hands Smile

Is there life after finishing a first draft?

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My title poses an interesting question. Is there life after a first draft? You may well wonder since I’ve gone dark on social media since I announced I had finished mine. Truth be told, I needed a break from talking about my work.

I have not been idle. For an indie author, the work never stops. While that first draft was simmering, I reread the other three books in the series. This was useful as I go into rewrites on the fourth book. I now have the entire story line in my head. As a matter of course, I picked up typos and a few continuity errors. So, I upgraded all the files. I’ve been meaning to do such an update for a while because I’ve learned how to do the table of contents feature in a way that is more compatible for Kindle readers.

A great upside to indie publishing and doing my own ebook formatting is that I can revise and repost my interior book files whenever necessary. The need to do such revising comes up more often that I realized it would. When the fourth book is published, I will have redo the interior file for the third with a sneak peek at chapter one of the fourth.

I’ve now moved through my first rewrite on No Compass to Right. I’ve trimmed down the word count, cleaned up problematic scenes, checked over time frames and rewritten a key event that, according to one of my consultants, was more complicated than necessary. I’ve done multiple searches for incidents of unclear, weak writing.

Line-by-line editing has begun on the early chapters and rewrites will continue apace of editing. This process may seem clunky but it works for me. I’m keeping ahead of my editor (what a laugh!) by reading the entire work aloud and making changes as I go. Much is discovered while reading a piece of one’s writing aloud!

When I can’t face any of the above tasks, I switch gears to work on acknowledgments, dedication and the dreaded book blurb for the latest novel. Nothing tests an author’s mettle like writing a book blurb. There is that moment, looking at a blank page, knowing I must come up with 250 words that will excite, entice and lure the reader into my story, when I realize that my book must be about nothing since my mind is a total blank.

I’m also working on ideas, conceptual sketches and assembling photos for the cover of this new work.

On the marketing front, I’ve landed another BookBub slot for Disappearing in Plain Sight in May. It was March 2016 that I was featured with the first book of the Crater Lake Series. I am eager to share how a second time on the same book works out.

So, that’s where I’m at. Where in the writing process do you find yourself?

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Happy Dance – Let’s Celebrate

Happy young buddhas - google images

This is the last instalment of my Thoughts from the Writing Trenches extravaganza. 170,000 words and the first draft of No Compass to Right – 4th book in the Crater Lake series – is done. Wrote almost 9,000 of those in one day. I was so in the grips of the story, I could hardly get out of the chair to use the bathroom. But it was worth it.

There’s a weird feeling that comes over me as I scroll through the pages – shock and awe. How did I do it? I somehow managed to put all these characters on the playing board of the story then I followed them through to the last page. I think I could write a hundred books and I would always feel like this when I got to the end of the first draft. I went to sleep the night I finished and slept a solid eight, dreamless hours. It was wonderful!

Many thanks for following this first draft writing series. It felt less lonely in the writing trenches knowing some of you were digging along beside me. If you have any suggestions for future series, let me know.

Butterfly sculpture overlooking the lake(2) -  bruce witzel photo