Marketing Update

Deck flowers - Guenette photo

As many of you who follow my blog know, I stepped up my marketing strategies to promote my self-published novels in March of this year. You can read about what I did and how it worked by checking out the following post: One Month Past BookBub Promotion.

I am five months down the road and the Crater Lake books are selling well. Yippee – happy dance and all of that. But here is the question you might be asking: How has she kept the ball rolling? Before I get to that, I will state two important caveats. My books are selling wildly beyond my expectations when compared with how I was doing prior to my BookBub slot in March. That having been said, my books are not selling at the same level that they did right after the BookBub promotion.

My marketing strategy has consisted of booking free days for Disappearing in Plain Sight every month or so using the KDP Select Program and promoting those free days through various venues. I’ve had different results for the money spent and am happy to share how the cost per free download panned out over the various promotional spots. Number of downloads isn’t the whole story, though. Bumps in Amazon rankings play a role in continued sales.

So here goes. All costs are rounded off and reported in Canadian funds.

In May, I ran two free days of promotion for Disappearing in Plain Sight and advertised via Free Kindle Books and Tips (130.00) and the Book Marketing Tool (20.00). I garnered just over 1000 downloads. This wasn’t enough to make serious moves up the rankings in the Amazon Free Store and I paid approx. 15 cents per download. Costly, but May and June sales of the subsequent books in the series (The Light Never Lies and Chasing Down the Night) definitely showed the halo effect from free downloads of the first book in the series.

In June, I was able to snag a spot on E-Reader News Today (53.00). I booked three free days for Disappearing in Plain Sight and as well as the ENT slot, I used FreeBooksy (82.00). Stacked up 3034 downloads. Three times the downloads for less cost than May’s promotion. I’ll let you draw your own conclusions on that. FreeBooksy came first, so I was able to make a rough judgement on effect. About 800 downloads for an approx. cost of 10 cents per download. ENT is the best priced option for results. 1800 downloads for an approx. cost of 3 cents per download. Not bad! Plus, rankings moved significantly and led to excellent subsequent sales.

In July, I ran three free days and used FreeBooksy again (82.00), Sweet Free Books (10.00) and Book Sends (34.00). Managed 1337 downloads. FreeBooksy performed as it did in June. Sweet Free Books was a pleasant surprise. I calculated 200 downloads for approx. 5 cents per download. Book Sends came in at about 7 cents per download. Again, rankings rose and subsequent sales over the series continued.

In August, I changed my strategy by listing my newest stand-alone novel, Maelstrom, for a two-day free event and advertised with Sweet Free Books (10.00) and BookSends (67.00). There were 1627 downloads that saw BookSends performing at the 5 cents per download level and Sweet Free Books did better than my use of them in July – getting down to approx. 3 cents per download. My aim with this promotion was to garner reviews for Maelstrom and I am still waiting to see if that occurs. It does take time to read the book!

I was pleasantly surprised to notice that the increased ranking for Maelstrom over the time of the promotion seemed to boost sales on all my books.

I have tried to capture another BookBub slot for the second book in the Crater Lake Series – The Light Never Lies – with no success so far. BookBub and E-Reader News Today continue to be the big performers when it comes to download numbers and because of that, getting in the door is quite the challenge.

My experience with utilizing Amazon’s free days and going with a variety of promotional services has shown me that even on a small budget, I can get results and keep selling over a longer haul.

I hope my experience can be of some use. I’m not saying, go out and do what I have done. The promotion of self-published books has way too many variables for that. The whole process seems to be part experimentation, part experience and part flying by the seat of one’s pants. I used categories specific to my books. Your books may land in categories that are more or less popular. I have promoted the first book in a three book series with the hope of cashing in on the halo effect. You may or may not have a series to promote. Timing may be a factor. I’ve always promoted over a weekend. In the fall, I’ll mix things up a bit and promote during the week.

Back garden - Guenette photo

Writers Never Surrender When it Comes to Love

White Flag cover - Dido - google images

“I know you think that I shouldn’t still love you,

But what’s the sense in that?”

Do you ever listen to Dido’s song White Flag and feel like sitting down in a chair and sobbing an over indulgence of emotion for the time you carried a torch and felt like the pain of lost love would never end?

As we get older and jaded about the cost of going down with the ship of unrequited love, we forget the emotion. Writers don’t have that option. We create characters that love and lose and hang on. We have to dig deep and remember. A song like White Flag aids in the process.

I’ll let you be the judge. Listen to this song and see if it doesn’t plunge you into nostalgia for the days of believing that hanging on forever could make a difference. You can just shrink the video and come back to read the lyrics here while you listen.

White Flag

I know you think that I shouldn’t still love you,

Or tell you that.

But if I didn’t say it, well I’d still have felt it

Where’s the sense in that?

I promise I’m not trying to make your life harder

Or return to where we were

I will go down with this ship

And I won’t put my hands up and surrender

There will be no white flag above my door

I’m in love and always will be.

I know I left too much mess and

Destruction to come back again

And I caused nothing but trouble

I understand if you can’t talk to me again

And if you live by the rules of “it’s over”

Then I’m sure that that makes sense.

I will go down with the ship

And I won’t put my hands up and surrender

There will be no white flag above my door

I’m in love and always will be.

And when we meet, which I’m sure we will

All that was there, will be there still

I’ll let it pass and hold my tongue

And you will think that I’ve moved on . . .

Popular culture – and we writers are part of that or at least we want to be – promotes a love that is unrealistic but it’s an ideal that takes hold of our lives, for better or worse. There is something about never putting up that white flag of surrender, that appeals to us.

We want to believe that there is a man or woman out there who would go the distance. Never mind that we probably know ourselves to be incapable of such a thing.

Snape and Lily Potter - google images

A man like Professor Snape, in J.K. Rowling’s Harry Potter books. He loved Lily Potter right up to the bitter end. He died to protect her son. A son she had with his most hated rival. Is his behaviour not the popular personification of true love?

Or maybe the French heroine of Sergeanne Golan’s books, Angelique. She rushed through a dozen historical novels, sleeping with and marrying other men, though she never stopped pining for her lost love, Joffrey de’Pyrec. True to the romantic ideal, he never stopped looking for her. This is the stuff of great literary romance.

Though James Bond is portrayed as the master of love affairs in a host of Hollywood movies, in Ian Fleming’s novels, Bond never got over the woman he lost.

Our every day lives are not peopled with the likes of Professor Snape, or Angelique, or James Bond. The men and women we know are fickle and who could blame them. No one wants to be alone and as you get older the concept of true love becomes quite nuanced. What is true might end up being what is comfortable and familiar, or convenient, or self-serving, or a host of other things. Luckily for us writers, part of us clings to that ideal – why else flop in a chair and feel teary when listening to a song like White Flag?

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Down in the Gutter with Marketing

Osar Wilde quote on San Fransciso street

For the last six months, I’ve been part of a small group of authors who gather together via email to discuss book marketing strategies, toss ideas around and in general, support one another’s efforts where and when we can. The organization is loose, the group diverse in terms of location, background, gender, writing genre and point of view. We don’t seek consensus. Instead, we bring the fruits of our experiences to the table and individual members make up their own minds on what to take or leave.

I recently floated a question to the group: What are the ethics and/or etiquette around claiming best seller status. Does getting to #2 in the Amazon Top 100 Free books make me an Amazon Bestseller? How about getting to #1 in a genre category in Free and then hanging in the Top 10 for about 48 hours of that same category after my book went back on the paid list. Is it bad etiquette to drop the word Amazon and just say Bestselling author? Does one have to make it on to a paid list to legitimately claim a bestseller status? And if so, at what point and for how long – Top 10, Top 100, for one hour or one day? What about author ranking? I was in the Top 100 for a day after a promotion. Does that qualify?

A complicated question and the group responses, as expected, ranged far and wide. A few members came down on the side of only paid lists being equated with best selling status. A best seller should, at a minimum, be based on selling. Good point. I went back and took a look at my screen captures for how Disappearing in Plain Sight had done during it’s BookBub extravaganza of free downloads. On one, a large headline read – Best Sellers in Literary Fiction – Sagas. Under that is my book at #1. It doesn’t say Best Non-Sellers due to being Free. Amazon isn’t distinguishing in the big print between paid or free – that comes beneath in a secondary header. Hmmm …. interesting.

Literary Fiction - Sagas - DPS

A member who had previous experience working in the traditional publishing field felt the entire concept of best selling, best seller, best selling author was bankrupt – overused and abused to the point of meaninglessness. Unless, of course, one attempted to claim a place on the New York Times Best Seller List. That you better be able to back up!

One blunt member of our group, wrote – The idea of a great author sitting in the gutter saying, “I didn’t sell many books but I kept my ethics as an author,” has about as much appeal to me as stepping in a dog turd. The premise of the subject is wrong! We’re flogging books and we’re flogging them cheap. We’re not sharing a cup of the tea with the local vicar. Get rid of the word ‘etiquette’ and replace it with ‘marketing’ and you would’ve never needed to ask the question.

When I got up from rolling around on the floor laughing, I read a few more responses. “In an age of distortion and mirage, the big lie seems to carry the day. Even in the dog-eat-dog world of fiction writers.” Another member agreed that best selling is a devalued currency that I could feel free to spend as I liked.

It would seem that I may go ahead and claim a spot on a meaningless list, or I may roll around in the gutter clinging tightly to my moral superiority or I may participate in the big lie and be a dog gobbling up my fellow authors.

On the other hand, I could simply play by the rules Amazon sets forth. My book sat at #1 of a Best Selling List and I don’t see why I wouldn’t mention that when it seems that to do so would be a wise marketing move.

What do you think. I’d love to widen this discussion. At best, we are in for some chuckles as we climb from the gutter to the meaningless and, dare I say, best selling heights.

Clematis 2016 - Guenette photo